Richard Basehart YIFY Movies for 720p/1080p/mkv/mp4 in YIFY Torrent. Most notably in Federico Fellini's poignant masterpiece La Strada (1954). Topics La Dolce Vita, The Sweet Life, Federico Fellini, F.Fellini, Marcello Mastroianni, 1960, Italian Movies Language Italian A series of stories following a week in the life of a philandering paparazzo journalist living in Rome. La dolce vita (1960) In a directorial career spanning four decades, became Italy’s most celebrated filmmaker, but in recent years, while the critical stock of his contemporaries and has remained high, you get the feeling that Fellini’s has taken a bit of a dip. This might seem odd, especially when you consider that (1960) and (1963) remain cinephile staples. It could be that the many films he made either side of this golden diptych haven’t been fully appreciated – especially those from the 1970s and 80s – but there can be little doubt that his ever-playful, loose, carnivalesque approach (both in terms of sound and image) has produced some of cinema’s most breathtaking moments. I vitelloni (1953). Masina played a prostitute called Cabiria in The White Sheik and five years later the character returned as the protagonist of Fellini’s 1957 film, set in his adopted city of Rome. Is very much in the mould of La strada’s Gelsomina in terms of her good-naturedness. “[She] has a chorus of voices around her,” the actress told around the time of the film’s release, “people who observe without understanding her or who take advantage of her. She’s not a victim however – her ability to react surprised me.” La dolce vita (1960). ![]() Fellini’s 1960 opus, his celebrated tale of life in and around the Roman glitterati, marked the beginning of his long artistic association with actor, which would continue all the way to 1987’s. Co-stars as American actor Sylvia Rank and her splash in the Trevi Fountain with Mastroianni’s jaded journalist is one of cinema’s most indelible images. Of all Fellini pictures, has had the biggest cultural impact – the term ‘paparazzi’, for instance, comes from the name of one of the celebrity-baiting photographers in the film. Has any film better captured not only the travails of filmmaking but also those of the creative process more broadly than Fellini’s? Juggling a host of personal and professional demands, we find Mastroianni’s film director protagonist Guido Anselmi slipping in and out of dreams and reminiscences. Shot by (La notte, Salvatore Giuliano), the film cast a long shadow on subsequent films about filmmaking, most famously perhaps on Woody Allen’s 1980 picture Stardust Memories. Custom garmin waypoint symbols. Juliet of the Spirits (1965). After being absent from her husband’s films for almost eight years, Giulietta Masina made an extraordinary comeback in Fellini’s first colour film. The fluid blending of fantasy and reality seen in 8½ continues in the story of a middle-aged bourgeois housewife and her growing interest in otherworldliness. Academic Peter Bondanella has called “one of the first post-war European films to espouse the cause of women’s liberation” and Fellini would return to this subject in a more tongue-in-cheek register in 1980’s City of Women. Fellini’s Roma (1972).
0 Comments
Leave a Reply. |